The form of Jim Campbell’s Eroding Waves (2016-2022) disperses and thins as it nears the floor, like a wave approaching the shore. In the more densely-clustered LEDs, a swimming figure is visible, its shadowy contours rendered in negative. The viewer’s comprehension of this figure is only possible at certain distances and angles, in line with Campbell’s interest in the changeability of perception. Eroding Waves dramatizes and abstracts an encounter with the cycles and tides of the natural world.