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Recurrent Anaximander, 2020

Recurrent Anaximander (2020) is named after Anaximander of Miletus (610-545 BC), the pre-Socratic philosopher who advanced that the stars and planets were not located within a celestial vault. Instead, Anaximander postulated that they appear in a continuous space surrounding the Earth, furthering our understanding of the mechanism of eclipses that occur between the stars and planets. Building on Anaximander’s theory, Lozano-Hemmer’s artwork is a generative animation running on a custom-made 400,000-pixel circular display that shows small planets in orbit creating rare eclipses. Each day it is on exhibit, the piece connects to a server housed at NASA’s Solar Dynamics Observatory (SDO), downloading the sun’s most recent images. These images are randomly integrated with mathematical generative algorithms such as reaction-diffusion and equations such as Navier-Stokes (that describe the physics of nature) and Voronoi (partitions of a plane in a region close to a given set of objects). The algorithms produce an infinite rotation of images so that the viewer never sees the same image twice. 

Recurrent Anaximander, 2020

Rafael Lozano-Hemmer

Canada / Mexico

Rafael Lozano-Hemmer (b. 1967) develops participatory installations at the intersection of architecture and performance art with a particular interest in radical empiricism and critical social practice. Pushing public engagement to its limits, many Lozano-Hemmer works are activated with viewers’ biometric data such as their heart rate, breath, voice and fingerprints, measured in real-time through sensors, cameras and microphones. Lozano-Hemmer was the first artist to represent Mexico at the Venice Biennial in 2017. He received the title of Compagnon des arts et des lettres du Québec (2016), the Governor General’s Award in Visual and Media Arts (2015) and two BAFTA British Academy Awards for Interactive Art (2002, 2003), among others.

Notable projects include Border Tuner (2019), which connected communities across the US/Mexico border with interactive light “bridges” that enabled conversations between participants on either side; Cloud Display (2019), a voice-recognition fountain that writes texts in midair using cold water vapour; and Solar Equation (2010), a faithful simulation of the turbulence at the surface of the sun projected on the world’s largest spherical aerostat, flying over Federation Square in Melbourne. His work is featured in the permanent collections of the Museum of Modern Art in New York, SFMOMA in San Francisco, MUAC in Mexico City, and the Tate in London.

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