Carsten Höller (b. 1961) uses his training as a scientist in his work as an artist, concentrating particularly on the nature of human relationships.
Carsten Höller (b. 1961) uses his training as a scientist in his work as an artist, concentrating particularly on the perception of the self and the nature of human relationships. His major installations include Sunday at Museo Tamayo in Mexico City (2019); Decision, Hayward Gallery, London (2015); The Double Club in London (2008-2009); Revolving Hotel Room (2008), which was shown as part of theanyspacewhatever exhibition at the Guggenheim Museum, New York, in 2009; and Test Site, Tate Modern, Turbine Hall, London (2006).
His works have been shown internationally over the last two decades, including solo exhibitions at Pirelli HangarBicocca, Milan (2016); Thyssen-Bornemisza Art Contemporary, Vienna (2014); Hamburger Bahnhof, Museum für Gegenwart, Berlin (2011); New Museum, New York (2011); Museum Boijmans Van Beuningen, Rotterdam (2010); Kunsthaus Bregenz, Austria (2008), Musée d'Art Contemporain, Marseille (2004); the ICA Boston (2003); and Fondazione Prada, Milan (2000).
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