Ayoung Kim (1979, South Korea) weaves reality anew through a tapestry of hybrid narratives, integrating geopolitics, mythology, technology, technoprecarity, and speculative temporalities into her work. The outcomes of synthesized narratives result in far-reaching speculation, establishing connections between biopolitics and border controls, the memories of stones and virtual memories, and ancestral origins and imminent futures across various media. Her practice incorporates discourses on optical and post-optical media, performativity, game simulation, and the narrativity of fiction.
Kim often depicts entities whose resistance or misalignment leaves behind strange and singular traces as they deviate from prescribed trajectories.

Her works are in the collections of the MoMA, US; Tate museums, UK; ACMI, Australia; Frac Lorraine, France; The National Museum of Art, Osaka, Japan; Sharjah Art Foundation, UAE; Kadist Foundation, US; the MMCA (National Museum of Modern and Contemporary Art), Korea, and the Leeum Museum of Art, Korea, to name a few.

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RELATED

ARTWORKS

Delivery Dancer’s Sphere, 2022

by Ayoung Kim

Noor Riyadh