اليابان
نور الرياض
ولدت في العام 1929 وهي فنانة وروائية رائدة؛ تمكنت من ابتكار لوحات خيالية باستخدام نقاط البولكا والشباك لاستخدامها كزخارف منذ طفولتها. وانتقلت إلى الولايات المتحدة في العام 1957، حيث عرضت هناك لوحات ضخمة ومنحوتات ناعمة، وتناولت في أعمالها موضوعات الفن البيئي باستخدام المرايا والأضواء الكهربائية. وفي أواخر ستينيات القرن الماضي، نظمت العديد من المعارض، كما شاركت في تصميم الأزياء وإنتاج الأفلام. وترسخت مكانتها كفنانة رائدة من خلال أعمالها وأنشطتها الأصلية التي كان لها تأثير كبير على عالم الفن. ومنذ عودتها إلى اليابان في العام 1973، واصلت عرض أعمالها فيها وفي دول أخرى، وعرضت منحوتاتها في المساحات الخارجية في أجزاء مختلفة من العالم. وتعمل بنشاط على إنتاج قطع فنية جديدة، كما تلعب دوراً نشطاً في الأنشطة الفنية، وغالباً ما تتنقل حول العالم لحضور معارض لأعمالها.
نالت العديد من الجوائز وشهادات التقدير، ومنها: جنسية طوكيو الشرفية (2017)، وسام الثقافة (2016)، الجنسية الفخرية لشينجوكو وارد – طوكيو (2012)، وانتمت إلى عضوية الأكاديمية الأمريكية للفنون والآداب في العام 2012، وتم اختيارها كشخصية ثقافية على جدارة عالية (2009)، ومنحت جائزة إنجاز العمر (الولايات المتحدة الأمريكية)، وحصلت على وسام الشمس المشرقة، و “الشعاعات الذهبية مع روزيت” و “براميوم إمبيريال” 2006، وجائزة الفنون والآداب من الحكومة الفرنسية. وحصدت التقدير من حاكم محافظة ناغانو (للجدارة الأكاديمية والفنية والثقافية (2003)، وجائزة التشجيع الفني الخمسين لوزير التعليم، والتقدير الخاص من وزير الخارجية (2000)، والجائزة الأدبية العاشرة للكتّاب الجدد من مجلة “ياسي جيداي” عن رواية بعنوان (Hustlers Grotto of Christopher Street) نشرت في العام 1980.
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